“What do you write?”
A simple question, and the first most people ask when you tell them you’re a writer. Crime fiction, I say. But they usually want to know more. That’s where it can get tricky. From the start, I called my first book a psychological thriller. It’s how I pitched it to agents a couple years ago. After hearing the plot, one asked me, “Are the main characters gay?” “All of them except the dog,” I said. Her quick forced smile told me she was neither amused nor interested. I moved on.
Should I have said upfront it was a gay thriller? Was the gay aspect a reason another agent expressed concern about “our ability to sell this work”? As I thought about it, gay protagonists did seem a rarity in current mainstream crime fiction. In Jonathan Kellerman’s popular Alex Delaware series, the gay cop is almost a sidekick. What about other genres? And next I’m shifting gears with a ghost story, but the same main character. Switching genres within a series and a gay hero? Was I insane?
Walt Whitman would be delighted with all the attention paid to him on his birthday. In fact, I’ll go so far as to say that if he were alive today, he’d blog more often than Neil Gaiman, post more selfies than James Franco, and have more Twitter followers than Lady Gaga. Years ago when I visited Whitman’s home in Camden, New Jersey – now a museum – then curator Margaret O’Neill told me the poet was very concerned with how he would be remembered. So much so, he spent over $4000 on a memorial tomb that he designed for himself. (By today’s standard, around a million dollars.)
I came to Whitman’s poetry late – Dead Poets Society late. But more so ten years later when I read Gary Schmidgall’s biography Walt Whitman: A Gay Life. I made a two-part radio program featuring the author and my visit to the poet’s home. Since then, his poetry has often infused my work. But to be honest, I’ve never been able to sit down and read my battered 500-page copy of his epic life’s work Leaves of Grass from beginning to end.