I started to write something on Saturday, my birthday. Out-of-town guests arrived earlier than anticipated so I set it aside. Distractions of a football nature took over on Sunday, Monday went missing, and yesterday became yesterday. So here I am, four days later, beginning again. We do a lot of that, don’t we? Starting over, beginning again. Well, I do. And I know what I might’ve written then, won’t be what I write today – even if I include the opening paragraphs here:
On my fourth birthday, I wore my Davy Crockett T-shirt. I was King of the Wild Frontier and mom made me a cake shaped like an old train. Five years later I had a costume pirate party, and mom made a pirate ship cake. Clearly my imagination took me on adventures to far-flung places from a very young age.
When I was eleven I wrote and performed a school play about Roland, a medieval pageboy who saved the castle from marauding invaders. During summer vacation, by day I’d mow the lawn dreaming I was Huckleberry Finn on a river raft. And when the stars came out at night I’d take a spaceship to Mars with Ray Bradbury.
Cricket’s chirp, small birds flit back and forth to the feeder in my parent’s back garden. My brothers and sister took the kids to the drive-in to see How to Tame a Dragon II and Maleficent. A temporary peace has settled on this early summer evening. Soon the fireflies will join me as I sit at the picnic table on the carport, thinking about the past week. My debut novel Calvin’s Head comes out exactly three months from today and everything is beginning to click into place.
“What do you write?”
A simple question, and the first most people ask when you tell them you’re a writer. Crime fiction, I say. But they usually want to know more. That’s where it can get tricky. From the start, I called my first book a psychological thriller. It’s how I pitched it to agents a couple years ago. After hearing the plot, one asked me, “Are the main characters gay?” “All of them except the dog,” I said. Her quick forced smile told me she was neither amused nor interested. I moved on.
Should I have said upfront it was a gay thriller? Was the gay aspect a reason another agent expressed concern about “our ability to sell this work”? As I thought about it, gay protagonists did seem a rarity in current mainstream crime fiction. In Jonathan Kellerman’s popular Alex Delaware series, the gay cop is almost a sidekick. What about other genres? And next I’m shifting gears with a ghost story, but the same main character. Switching genres within a series and a gay hero? Was I insane?