Mystery

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Books That Go Bump in the Night

Inn at Whitefield

Inn at Whitefield

The northern New Hampshire inn where I’m spending the summer is haunted. I’ve not seen any first-hand evidence. But others report a recurring manifestation of dead flies in certain rooms; mysterious whistling in the kitchen; sudden loud knocks or extreme drops in temperature. A child played with an unseen friend. The dog refused to climb the Tower stairs. Oh, yes. A Tower. Any of these occurrences on their own might be explained. Put them all together? You don’t need to be Einstein to figure out the setting of my next book.

So one of the Saints and Sinners Literary Festival panels that grabbed my attention was The Devil You Don’t Know: Otherworldly Forces in Fiction.

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Diversity on the Mississippi

Crescent parkBefore the Saints and Sinners Literary Festival began last weekend in New Orleans, the friend I stayed with took me to newly opened Crescent Park. We climbed the elegant rusted steel Piety Street Bridge (one block from Desire) to cross the railway tracks and explore the beautiful, if minimally designed, riverfront gardens. All that remains of a once bustling wharf is a lone three-story white wall and the burned out skeleton of beams extending over the muddy water. The city skyline glimmers in the distance. Rusty poles bearing words like Diversity are interspersed with concrete slab benches etched with quotations.

Diversity Pole“Culture – The common threads of life that tie us together… roles, rules, rituals, languages, music, spirituality, and soul.”

That quote in particular struck a chord, though I couldn’t quite put my finger on why. Perhaps a premonition of the experience I anticipated having the next four days? I’ve attended many festivals, conventions and conferences in the last two years. Saints and Sinners, with its combined queer and literary focus, was by far the most inspiring, entertaining, enlightening, and – (How do I say this? In Dutch the word is ‘gezellig’ – an almost untranslatable mix of cozy, warm and friendly.) I thought: this is what Christopher Isherwood meant when he wrote about his tribe.

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Feeling a Bit European

Conchita WurstWatching the Eurovision Song Contest on my computer yesterday in the middle of a sunny afternoon in New Hampshire was odd. It’s the kind of live event for which people in Amsterdam and all over Europe have parties, or gather in bars to drink and scream at the television. It’s the most kitsch, gayest, pop-culture must-see TV of the year. And an audience of some 180 million people in 45 countries watched as a torch-singing bearded drag artist from Austria took home the coveted prize.

Here in the USA most people have never heard of Eurovision, or think it’s a brand of eyeglasses. And it’s hard to explain. “Like American Idol?” they ask. Um, no. I tell them it launched the careers of Abba and Celine Dion. “Like America’s Got Talent?” Nope. I try to make clear national pride is at stake, with a geopolitical element in the voting that runs parallel to the music competition. Their eyes glaze over in confusion. Not for the first time in almost thirty years of living abroad, I feel more than a little European.

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Yule Lads and Iceland Noir

Sausage-SwiperI woke early this morning, as I did when a child many Christmas moons ago. Perhaps I was hoping to meet Bjúgnakrækir, or Sausage-Swiper, the ninth of thirteen Yule Lads who visit in the two weeks prior to December 25, according to Icelandic tradition. He might leave a gift in your shoe, depending on whether you’ve been naughty or nice. But mostly he hides in the rafters waiting for the chance to steal one of your smoked sausages. The Yule Lads are the original Bad Boys of Christmas.

In Icelandic folklore, the criminally inclined Yule Lads were the sons of terrifying mountain trolls who feasted on children. (Merry Christmas, kiddies!) But by the early 20th century they’d evolved into mischievous pranksters – with some help from poet Jóhannes úr Kötlum, Iceland’s answer to the Brothers Grimm. I discovered the Yule Lads in the airport as I was leaving the lovely city of Reykjavik last month, after an inspiring crime fiction weekend.

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Butchers, Beasts & Bonkbusters

Bouchercon 2013First thing I learned at Bouchercon? I was pronouncing it wrong. I assumed the name was from the French boucher, or butcher. A bit gruesome, if not inappropriate for a convention devoted to crime fiction. But, no. It rhymes with voucher. Bouchercon. Still doesn’t sound quite right. (Many years ago when I was a newsreader for Radio Netherlands, I received a letter from a listener in Seattle: “Mr. Swatling, why do you always adopt a French intonation whenever uncertain of the correct pronunciation? It is increasingly annoying. If you don’t know, you should ask someone who does!”)

Bouchercon is the Anthony Boucher Memorial World Mystery Convention. All you need to know about sci-fi editor and mystery writer Anthony Boucher is in a tribute essay by William F. Nolan. But a couple things caught my attention. He was active in college theatre, wrote book reviews for newspapers, and worked in radio for several years. Mr. Boucher and I have a fair amount in common. At Bouchercon I discovered many crime fiction authors had backgrounds in theatre and/or journalism. Me, too.

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