Bonfire of Inanities

Girolamo Savonarola

Girolamo Savonarola

I got my first hate mail. Well, not actually mail and not my first, but I’ll explain that later. My first hate comment since I began writing this blog on LGBTQ topics in January was short and to the point: “Dirty fag.” I can’t say I was surprised, except perhaps that it took so long. (In seven months I’ve had over 3100 views by visitors from 67 countries.) One friend even noted it was a sign that I’m “reaching the right audience, and not preaching to the converted.”  True enough, and an apt metaphor.

The cowardly act of schoolyard name-calling was hidden behind a curious Twitter handle: Girolamo Savonarola. In case you’re not up on Italian Renaissance history, Savonarola was a 15th century Dominican friar who castigated the rich and powerful in Florence with fiery apocalyptic sermons. His reform campaigns included the infamous Bonfire of the Vanities, in which objects deemed “occasions of sin” were burned – masks and carnival gowns; playing cards and musical instruments; “immoral” books by Ovid and Boccaccio; paintings by Botticelli.

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Rites (and Wrongs) of Spring

Rite of Spring

Rite of Spring, Joffrey Ballet
(1913 costume design, Nicholas Roerich)

Paris, 29 May 1913

Everything was beautiful at the ballet. Romantic melodies by Chopin, graceful sylphs shimmered in white, Russian dreamboat Nijinsky danced in the moonlight. The first act at the brand new Théâtre des Champs-Elysées was what everyone expected. But as the music of Igor Stravinsky’s Le Sacre du Printemps (The Rite of Spring) began the second part of the program, the audience twitched, twittered and turned hostile.

“One literally could not, throughout the whole performance, hear the sound of music,” said Gertrude Stein (who actually saw the second performance four days later.) Popular composer Puccini (also attending the second night) called the music cacophonous, “the work of a madman.” Suddenly everyone who was anyone in Paris wanted to see what kind of ballet had caused a riot in the theatre on its opening night.

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