lgbt

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Meryl Streep Is Dead!

Streep & Thatcher“I love that half of the people posting about the death of Margaret Thatcher are actually posting pictures of Meryl Streep,” wrote gay blogger and author Kergan Edwards-Stout on Facebook. At first I thought he might be joking, but on further reflection I fear not. Social media is full of such inaccuracies and one must admit that Meryl Streep, in her Oscar-winning turn as the Iron Lady, is more photogenic.

“You should never say bad things about the dead, you should only say good…Joan Crawford is dead. Good.” – Bette Davis (1977)

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Dr. Seuss in Drag

Cat in the HatWhat a kerfuffle! A few days ago a story twittered through Blogville, most notably via HuffPost Gay Voices, about Philadelphia drag artist Martha Graham Cracker. She’d been invited by someone at a nearby New Jersey after-school program to delight the kids with stories by Dr. Seuss on his birthday, in celebration of Read Across America. But in a blink of the Grinch’s eye, the invitation was ever so rudely rescinded. Day-care officials deemed Miss Graham Cracker “inappropriate” to read for their children.

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Gender is Like a Banana!

Warhol bananaI’m from a generation when librarians raised a disapproving finger to their lips to shush even the quietest whispers. So it felt odd (but liberating) to sit with a group of some fifty people in the Amsterdam Public Library and be encouraged – by a teacher, no less – to raise our voices in a resounding chant. “Gender is like a banana! Gender is like a banana!” Continue reading →

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Queer Street and the Occasional Poet

Keith HaringThe auditorium is nearly full on a Friday afternoon as University of Amsterdam Pride kicks off its 2013 lecture series. The topic is the “unassuming word” queer, and its various conceptualizations and criticisms. It’s a long time since I was a student, and I’m unfamiliar with the latest academic jargon. I hope hegemony doesn’t pop up. I can never remember what that means. Likewise efficacy, post-structuralist and heteronormative. Almost immediately I’m in trouble.

As associate professor of Comparative Literature Murat Aydemir begins his talk, I feel myself sink beneath “another discursive horizon” (de Laurentis, 1991). I’m sitting too far from the exit to slink out unnoticed but I remember how to take notes, even if I don’t know what they mean. I smile and relax when the professor gets lost in one of his own sentences, and suddenly the fog begins to lift. I’m actually following the discussion. Continue reading →